Elias Stimac
Talks to Randy Jones of The Village People
|
|
American Music Award Winner Randy Jones of The
Village People will be hitting the New York stage
scene just in time for the holidays, but the vehicle
he is guest-starring in should not be confused with
a nativity play. Tim Douglas’s The Madonna
Whore... Confessions of a Dirty Mind, presented
by TwinStar Productions, casts Jones as "a
psychiatrist who may need help himself." The
production is billed as “a sexy and intimate
play that explores the relationship between an actor
struggling to survive in NYC and a hot porn star
who loves him.”
One of the best-loved performers of the modern
music era, Jones performed as The Cowboy in The
Village People and went on to win many accolades
and sell over one hundred million units. As an actor,
he has starred in the motion pictures such as Three
Long Years, Façade, A Tale
About Bootlegging, Lawn of the Dead,
and Can't Stop The Music. Onstage, he starred
in the New York runs of Bingo City with
Anita Gillette and Sodom:The Musical with
Jonathan Kaplan. His touring credits include Meet
Me in St. Louis with Cathy Rigby, Carousel
with Ed Ames, and Funny Girl with Carol
Lawrence, Music Man, Chicago,
Will Rogers Follies, and 42nd Street.
In between rehearsals for Madonna Whore and preparations
for the release of his new CD Ticket to the World
– you can find out details on the eclectic
pop disc at www.cdbaby.com/jonesrandy
-- Jones took the time to speak with New York Cool
about his life, his loves, and the Village, where
he still resides.
Elias Stimac: What are your creative inspirations?
Randy Jones: As an actor and music artist, I consider
myself extremely fortunate to live in the heart
of the greatest city and the cultural epicenter
of the world. Living in Manhattan is akin to living
in a functioning laboratory for an actor. Every
type of human behavior is available for inspiration
and observation in some form at one time or another.
It's astonishing!
Elias Stimac: How did you
become involved in this new project with Tim Douglas
and Eric Thal?
Jones: Tim and I worked previously in the same film,
Three Long Years, directed by Peter Welch.
Last spring when Tim had a reading for Madonna
Whore, I was unavailable, but when he contacted
me this past fall about doing the same play here
in NYC at the Producers Club, my schedule was clear
and I was onboard. I was also eager to work with
the director, Eric Thal. I've been a fan of his
work for some time and have enjoyed him in A
Stranger Among Us, Six Degrees of Separation,
and The Puppet Masters. Working with Eric,
Tim and the other members of the cast has been great.
As the psychiatrist, I only have scenes with Tim's
character, Steven.
Elias Stimac: How are you
preparing for your role as a psychiatrist who might
need his own help?
Jones: I've had a couple of dinners with some pals
of mine who are therapists, and watched a couple
of seasons of Huff. I also went back and looked
at two Brian DePalma films, Dressed to Kill with
Michael Caine and Raising Cain with John Lithgow.
Those two portrayals certainly gave me some insight
on therapists in need of therapy themselves.
Elias Stimac: What are
your fondest experiences as The Cowboy in Village
People?
Jones: I've got a whole slew of memories from those
days, probably enough to fill an encyclopedia. I
know I've got enough for a 300-400 page book...
I've just signed that deal and it is expected to
come out for December 2007 -- just in time for Christmas
-- so put it on your list! The opportunities and
experiences were certainly incredible... from performing
in outdoor concerts for crowds as large as 280,000,
to doing a UNICEF benefit with Ginger Rogers and
Amanda Lear at the original Moulin Rouge in Paris,
to performing in a Command Performance for the Queen
of England. Not to mention traveling the globe and
performing in every major nation on nearly every
continent. I also got to star as myself in a $35
million dollar (that's 1979 circa dollars) film,
Can't Stop the Music. Even Loretta Lynn had to get
Sissy Spacek to do her cinematic portrayal in Coal
Miner's Daughter!
Elias Stimac: Is it true you also had a chance
to wow the crowd at Yankee Stadium recently?
Jones: Yes, this past summer I was invited to attend
a home game for the NY Yankees and sit in the mayor's
box. There I was, sitting with the current and former
mayors, when at the top of the 7th inning as people
are standing for the "seventh inning stretch,"
we hear the familiar opening strains of "YMCA."
Well, by the time the song got to the chorus, the
entire sold-out 'House that Ruth Built" filled
with more than 55,000 fans was up on it's feet doing
the letters, Y-M-C-A, like it was second nature...while
Michael Bloomberg, Rudy Guiliani and I were projected
up on those HUGE Jumbotron screens singing along
and doing the arm movements. Yes, even today, life
can often be a bit surreal for a simple guy from
down in the Village!
Elias Stimac: Out of all
your music awards, which one means the most to you?
Jones: Of course the multitude of awards and honors
range from the "Georgie" presented by
American Guild of Musical Artists to the prestigious
Golden Lion to the German Bravo Awards to Canada's
Juno Award to the Billboard Magazine Dance Forum
Awards. I've also been presented the keys to more
than 45 American Cities. But I guess the American
Music Award is the one that means the most. Dick
Clark [producer/creator of the American Music Awards]
is a great guy and he was one of the first -- along
with Merv Griffin, Hugh Hefner, and Johnny Carson
-- that recognized and supported The Village People
in the early days. They were sort our “Godfathers”
in the beginning.
Elias Stimac: You have acted
in several movies -- how did your musical career
help you as an actor?
Jones: Achieving success in a musical career certainly
gave me the confidence in any sort of performance.
However, my training background includes my degree
in film, theatre, and communication from the University
of North Carolina in Chapel Hill, and a degree in
choreography and dance from the North School of
the Arts in Winston-Salem, N.C. And I have always
loved musical theatre, having toured in Meet
Me in St. Louis with Cathy Rigby, Carousel
with Ed Ames, Funny Girl with Carol
Lawrence, Will Rogers' Follies, Music
Man, Chicago and 42nd Street.
Elias Stimac: How did you
choose material for your new CD?
Jones: In choosing material for Ticket to the
World, I worked closely with the executive
producer Will Grega and the producer Frosty Lawson.
We worked on nearly 30 songs and eventually arrived
at the 14 tracks which appear on the final product.
Of course, anything I would sing has to sit well
in my voice and I have to feel good about singing
it. I also have to find some affinity with the song.
Usually the lyric is the most important to me. It
must speak to me in order for me to come up with
a vocal performance. This collection of songs is
for my friends and fans. It's a package of fun,
feelings, and dance music.
Elias Stimac: What are
the best things about working in NYC?
Jones: I love New York, I love Manhattan, and I
love the Village! I have always lived in the Village
since I moved to the city. Working here is so much
different that L.A. One doesn't need to spend unnecessary
time in a car. For a city that has such huge buildings
and large numbers of people, places, and things,
there is something amazingly “human”
about it. Far from being the intimidating daunting
metropolis that visitors and tourists may see, I
think that those of us who live here see it as it
really is: a bunch of neighborhoods and small towns
that just happen to be next door to each other.
For the huge numbers of us that live here, we are
a remarkable example of the definition of what a
"city" is. I am so glad that I can call
NYC home.
For more information on Randy Jones, check out his
website at www.RandyJonesWorld.com
or visit http://imdb.com/name/nm0429063/bio.
The Madonna Whore: Confessions of a Dirty Mind
was written by Tim Douglas and
directed by Eric Thal. The artistic director is
Susan Campanaro.
The show is playing at:
THE PRODUCERS CLUB
358 West 44th Street (between 8th and 9th aves.)
November 29 – December 3, 2006
December 14 – 16, 2006
Evening shows 8:00 pm
Saturday and Sunday matinees at 3:00 pm
Advance ticket sales please go to www.themadonnawhore.com
|