Jump Starting to Level Five
The Biology of NYC's East
Village and Lower East Side Art Farms
Written by Wendy R. Williams
Photographed by Mary Blanco
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Note: This article
was first published in May 2005. The East Village
and the Lower East Side have obviously changed quite
a lot since then.)

Poet Ira Cohen in front of
Double Happiness Bar
Once upon a time, a psychologist
named Abraham Maslow created the theory of a hierarchy
of needs:
- Physiological Needs (air, water, food, sleep, sex, drugs, Starbucks, a few extra cans of Red Bull, etc)
- Safety Needs (not living in the South Bronx, kung fu classes, owning some mace)
- Love and Belonging (having sex without paying, a mother with a working check book)
- Esteem Needs (“Hey, don’t you know who I am?”)
- Self-Actualization (painting, writing poetry, wearing costumes, getting tattoos, marching in parades)
Maslow’s idea was that people
would work their way up the ladder, starting with
the basics (food, water, sex etc.) and moving up
to Level Five where they would have earned the right
to spend their summers painting in an art colony.
He envisioned an orderly logical progression of
first things first, where people took care of their
basic needs and then turned to expressing their
inner artists. Okay.
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Well, there is a tribe of people
who obviously never read Maslow, the inhabitants
of NYC’s East Village and Lower East Side.
These natives are living lives that have Maslow’s
hierarchy turned upside down, lives that went straight
to Level Five. The East Village and Lower East Side
are strange and wondrous places where living art
come first and everything else is second. Lands
where the natives paint/write/act/perform/ howl
with the hope that someone else will help out by
liking them, loving them, protecting them and paying
the rent. Where the desire to create (or some form
of incipient insanity) is so great, that all is
lost for the love of self expression, a place where
the dogs howl at the moon. And I’m not talking
about a bohemian fantasy like the one in Baz Luhrman's
Moulin Rouge, but a hungry-stinky-hung-over-drugged-out-credit-cards-maxed-out
reality. A place where life is tough and only the
leather-clad survive. But excess body hair and evictions
aside, the natives that flourish in the East Village
/ Lower East Side are a hardy bunch, resembling
the scrappy weedy trees that force their way through
cracks in the concrete of urban wastelands. And
these artists/trees survive and flourish, because
as every farmer knows, if you want a seed to grow,
first you must use your foot to stomp it into the
ground.
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New York Cool photographer Mary Blanco and I caught
up with a bunch of these hardy artistic souls on
Friday April 22, 2005 at Double Happiness Bar, a
former speakeasy now turned trendy bar at 173 Mott
Street in downtown New York. We were there for the
Tribeca Film Festival Premier party for the documentary
Excavating Taylor Mead. Taylor, in case
you didn’t know, was one of Andy Warhol’s
film stars and was also recently featured in Jim
Jarmusch’s movie, Coffee and Cigarettes
(see the Excavating
review and the Taylor
interview in the May 2005 issue). Taylor is
a Lower East Side resident (living in a marvelously
filthy rent controlled apartment) and a resident
barfly at all the neighborhood’s best watering
holes. He is also the fairy godmother for the neighborhood’s
stray cats, wandering the streets late at night
distributing cat food.
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Multi Media Artist Collette |
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Sam Selvaggio, Dharma and Greg's Shea D'lyn
and Sam Mendez |
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Film Maker Crystalle Moselle
and Harif Guzman |
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So if you are visiting New York and you want to see the natives howl, take a trip to the Lower East Side and view the artists in all their fermenting glory. And if you can’t make it this year, come back in a few years and look for the same bunch in Brooklyn or Long Island City. Because, just like the hardy weeds that flourish in the neighborhood, if you pave the artists out of the Lower East Side, they will travel underground until they can find another scrap of fertile soil and recreate Level Five.
Mars Bar
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