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Elias Stimac
Talks to
Jeremy X. Halpern
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Jeremy X. Halpern is a man of many talents who
thrives in his New York surroundings. Here is a
partial list of his many accomplishments:
-- Halpern formed the multimedia performance group
Verge in 1987, and they have been playing together
ever since. The band melds music with humor, and
has displayed their wry wit at NYC-area venues such
as CBGB’s, the New Music Café, Tompkins
Square Park, and even the New York City Marathon.
Most recently they celebrated their 21st anniversary
with a concert at Coney Island.
-- He is an avant garde composer who has composed
for Verge as well as having scored many short films.
-- Halpern is the sole proprietor of 1-800-Weirdos,
where he performs a live interactive musical reality
Internet TV show daily at midnight on http://www.Weirdos.TV.
Recent coverage included a road trip to the Burning
man festival, which will be presented as a mocku-rocku-documentary
to be screened at the end of the year.
-- As an actor, Halpern has performed on stage and
screen. Credits include acclaimed Iranian director
Amir Naderi's "Sound Barrier".
-- This past summer Halpern directed William Shakespeare's
The Taming of the Shrew, which was staged
in Central Park in July. Other theatre directing
credits include Speak of the Devil (A
Satanic Cabaret) and Battle of the Dead
Celebs.
Halpern was born in Boston in 1965, and grew up
with music being a major influence on his life.
“The fun part is that I was born as the Beatles
were getting big in America, and I was listening
to ‘Sgt. Pepper's’ on an 8-track tape
by the time I was five, right when the Beatles were
breaking up. Boy, that was fast.”
His father brought him to Manhattan a few years
later. “I must have been about eight years
old. From that point on, I couldn’t wait until
I could move there. I instinctively began dressing
all in black... I understood the Bohemian lifestyle
without knowing anything about it.”
Back then, Halpern was a self-professed “musical
theatre geek.” He relates, “I'm somewhat
ashamed of that now, as most musicals have made
me cringe since age 15. But there are still a few
that tickle me, most notably Sweeney Todd
and the Brecht/Weill shows it was ripped off from.
And Jacques Brel still shows up in my repertoire
from time to time.”
At age 17, his family moved to Cleveland. “I
hated it, but since there was little or no culture
available to me there, I found myself in rock bands.
I was in a band that covered Led Zeppelin and Grateful
Dead songs, and consequently I played all of both
bands' material before I ever heard the original
versions. I also discovered David Byrne and Talking
Heads, along with Brian Eno. Byrne in particular
showed me that one did not have to have a traditionally
‘good’ voice to be successful as a rock
singer.”
Halpern moved to New York and attended NYU, and
that is where he saw his first Frank Zappa concert.
“That pretty much did it. I always say I want
to be just like Zappa when I grow up. Or should
I say if...?”
While music is at the center of everything he does,
Halpern knew early on that anything he did would
have to be fully theatrical, and involve all of
the media in a balanced way -- music, dance, poetry,
visual arts, etc. Or as he describes it, “Like
Opera, but less sucky.”
Following college, Halpern worked
at NYU's Interactive Telecommunications Program,
where he incorporated technology into his work,
and added video to his repertoire. His band Verge
had been formed and done their first live interactive
TV show, called "Reality.” It was a very
clear pre-cursor to his current Weirdos.TV show.
“Verge became a cross between a theatre company
and a band. We toured regular rock clubs like CBGB’s,
and also presented full-length dramatic musical
spectacles, including the Journey to Oz
in 1989. That production saw the band balloon to
20 members, including a horn section, and the cast
of actors and dancers was equally large. We celebrated
our 20th Anniversary on June 7, 2008, and then performed
for our 21st Birthday this summer at the venerable
Coney Island Boardwalk.”
In the spirit of Zappa, Halpern calls the band’s
music "Psychedelic Comedy.” “Although
I'd say it's usually more psychedelic than purely
comic. I'd rather confuse people, but making them
laugh works for me, too. We use comic types of music,
a la Spike Jones, as well as ridiculous lyrics similar
to Monty Python. The costumes, lighting, and stage
effects are all designed to give the audience the
experience of tripping, regardless of what substances
they may or may not have used prior to attending
the performance.”
In 1995, the band decided to establish a retail
outlet. “My long-time collaborator in Verge,
Tom Ritchford (a.k.a. the ‘Meta-programmer’),
suggested that a memorable number for the store
might be 1-800-Weirdos. It was my good fortune to
find that that particular 800 number was still available.
The big bonus there was that people began to call
1-800-Weirdos -- not because they had any idea who
we were, but just because they were making up 800
numbers and called that one. They were often shocked
to find that the number really existed.”
Eventually, Halpern took the best of the voice mail
messages left on the 1-800-Weirdos phone line and
set them to music, resulting in a series of 1-800-Weirdos
CDs with the listeners as the lead vocalists. He
later began an Internet radio station which played
all of the music sold at 1-800-Weirdos in a long
loop.
“When I worked out how to broadcast live on
the Internet radio station -- which was at that
time listed in the iTunes "Radio" section
-- I began doing weekly live broadcasts. The idea
behind these, as well as my solo album The Cheesequake
State done under the pseudonym "P. Pularso
Dumm,’ was to do things that were a lot less
work than Verge shows.”
By the late ’90s, Verge shows had become huge
events. “We generally rehearsed the shows
for 6-8 weeks, and rented theatre spaces. This resulted
in musical extravaganzas like Battle of the
Dead Celebs and Speak of the Devil -- A
Satanic Cabaret. We really only wanted to play
shows like that, since our set up was too extensive
to put up and break down in a single night.”
Conversely, with the 1-800-Weirdos material, he
did very little preparation. “When I performed
live, I used only small battery-operated devices,
so that there was virtually no set-up time or gear
to lug around. When it came to time to do a broadcast,
I cleared my mind instead of planning anything.
I simply turned on the machines and let it rip.”
This scaled-down approach to performing continues
today in Halpern’s diverse slate of projects.
“I have been working with computers and video
since 1989, and began doing some video streaming
in 1998. But while we had the ability, it wasn't
really practical to stream video 24/7 until recently.
In January of 2009, 1-800-Weirdos began live interactive
video broadcasts nightly at midnight. In addition
to the callers to the 1-800-Weirdos line, I began
to invite viewers and guests with webcams to appear
in the video stream along with me. Verge's founding
member and drummer Bob Jakuc is a regular on his
webcam, applying his own effects to his smiling
face.”
Jeremy X. Halpern with his
Airstream

Halpern has taken his shows on the
road, and has discovered many new worlds in the
process. “In order to spread the word of Weirditity
and stamp out ‘normality’ once and for
all, I purchased a 1965 Airstream Safari travel
camper, and set off to discover America. Burning
Man was my mid-point; I reasoned that every person
there was in my target demographic.”
In addition, Halpern and company have done shows
in Peru, IN, Cheyenne, WY, Reno and Las Vegas, NV,
Basalt, CO, Forsyth, GA, and DisneyWorld in Orlando,
FL. We have 2500 followers on Twitter and the same
amount on Facebook following our progress and participating
in the shows I do on the tour.”
The Airstream has been dubbed the "Weirdos.TV
Mobile Research LABoratory,” and sports a
huge sign on the back imploring everyone to call
1-800-Weirdos. Now it is safely back in New York
City, where Halpern will be joining Verge.
“The band has been rehearsing in my absence
to prepare for our next show on Saturday, October
31st in the East River Park at 4pm. We will be dressed
as humans for Halloween; we think our costumes are
somewhat convincing, but don't be fooled. The show
will include our usual madness -- long hot jams
and strange songs from the 20-plus years of material
we have developed. And the event will of course
be simulcast on www.Weirdos.TV.”
Halpern calls the Weirdos.TV show the "live
interactive international improvisational musical
multimedia mashup -- I use it as a forum to encourage
everyone to find their inner Weirdo and express
themselves freely. I have always been suspicious
of the separation between ‘artists’
and ‘regular people,’ and believe everyone
can and should create whenever they can.
As if he doesn’t already have enough projects
to keep himself busy, Halpern is gearing up for
three more assignments in the near future.
“I have just signed on to direct
a very sexy Christmas musical with the suggestive
title of Hot Babes in Toyland. We will
be performing this bawdy holiday fable at the Players
Theater on Thursday nights from Nov. 8 through Dec.
11th. Meanwhile, Weirdos.TV is preparing an ‘infomercial’
for national cable networks, featuring many special
guests. And the next Verge spectacle is entitled
Mogulopolis, a cross-breeding of Fritz
Lang's Metropolis and Vincent Price's under-appreciated
Dr. Goldfoot and the Bikini Machine.”
For more information about Halpern and the Verge,
please visit their web site at www.weirdos.com/verge.
You can also check out their YouTube channel (search
for verge999) and MySpace page at www.myspace.com/weirdosverge.
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