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  Film Articles

Frank J. Avella’s
Film Column
2013. A Wolf of Film Years!

Ruminating on the films that affected me the most in 2013, a pattern began forming among most of my favorites—especially the American films ...(more)

Frank J. Avella’s
Film Column:

Southern Baptist Sissies

Actor Emerson Collins

Del Shores’ ambitious play, Southern Baptist Sissies, has been given the motion picture treatment via the stage version filmed before a live audience...(more)

  13th Annual Tribeca Film Festival
  John Butler’s The Bachelor Weekend
Reviewed by Frank J. Avella
  Aron Gaudet & Gita Pullapilly’s
Beneath the Harvest Sky
Reviewed by Frank J. Avella
  Till Kleinert’s Der Samurai
Reviewed by Frank J. Avella
  Lou Howe’s Gabriel
Reviewed by Frank J. Avella
  Paolo Virzì’s Human Capital (Il capitale Umano)
Reviewed by Frank J. Avella
  Susanna Fogel’s Life Partners
Reviewed by Frank J. Avella
  Adam Rapp’s Loitering with Intent
Reviewed by Frank J. Avella
  Ira Sach’s Love is Strange
Reviewed by Frank J. Avella
  Megan Griffiths’ Lucky Them
Reviewed by Frank J. Avella
  Kelly Reichardt’s Night Moves
Reviewed by Frank J. Avella
  Gia Coppola’s Palo Alto
Reviewed by Frank J. Avella
  Ester Martin Bergsmark’s Something Must Break
Reviewed by Frank J. Avella
  David Mackenzie’s Starred Up
Reviewed by Frank J. Avella

  Roman Polanski’s
Venus in Fur (La Venus a la Fourrure)
Reviewed by Frank J. Avella
  41st Annual New Directors New Films March 2014
  Joel Potrykus’s Buzzard
Reviewed by Frank J. Avella
  Richard Ayoade’s The Double
Reviewed by Frank J. Avella
  Gilles Deroo & Marianne Pistone’s Mouton (Sheep)
Reviewed by Frank J. Avella
  Abdellah Taia’s
Salvation Army (L’Armee du salut)
Reviewed by Frank J. Avella
  Fabio Grassadonia & Antonio Piazza’s Salvo
Reviewed by Frank J. Avella
  Anja Marquardt’s She’s Lost Control
Reviewed by Frank J. Avella
  Ben Rivers & Ben Russell’s
A Spell to Ward Off the Darkness
  Alejandro Fernandez Almendras’s To Kill a Man
Reviewed by Frank J. Avella
 

Tom Shoval’s Youth
Reviewed by Frank J. Avella

  Film Reviews
 

Lotfy Nathan's 12 O’Clock Boys
Reviewed by Harvey Karten

 

Steve McQueen’s 12 Years a Slave
Reviewed by Frank J. Avella

 

Steve McQueen’s 12 Years a Slave
Reviewed by Harvey Karten

  Declan Lowney's Alan Patridge
Reviewed by Harvey Karten
  David O. Russell's American Hustle
Reviewed by Harvey Karten
  Greg Williams's The Anonymous People
Reviewed by Harvey Karten

  Amma Asante's Belle
Reviewed by Harvey Karten
 

David Posamentier & Geoff Moore’s
Better Living Through Chemistry

Reviewed by Frank J. Avella

  Geoff Moore and David Posamentier's
Better Living Through Chemistry
Reviewed by Harvey Karten
 

Navot Papushado & Aharon Keshales'
Big Bad Wolves (Mi mefahed mezeev hara)
Reviewed by Harvey Karten

  Woody Allen's Blue Jasmine
Reviewed by Frank J. Avella
 

Woody Allen’s Blue Jasmine
Reviewed by Harvey Karten

  Jeremy Saulnier's Blue Ruin
Reviewed by Harvey Karten
 

Felix Van Groeningen's
The Broken Circle Breakdown
Reviewed by Harvey Karten

  Diego Luna's Cesar Chavez
Reviewed by Harvey Karten
 

Jean-Marc Vallée's Dallas Buyers Club
Reviewed by Harvey Karten

 

Joe Sorge's Divorce Corp.
Reviewed by Harvey Karten

 

Shana Feste's Endless Love
Reviewed by Harvey Karten

  John Turturro's Fading Gigolo
Reviewed by Harvey Karten
  Stephanie Soechtig's Fed Up
Reviewed by Harvey Karten
  Samantha Grant's
A Fragile Trust:
Plagiarism, Power, and Jayson Blair at the New York Times

Reviewed by Harvey Karten
  Lucía Puenzo's The German Doctor
Reviewed by Harvey Karten
  Jos Stelling's
The Girl and Death (Het Meisje en de Dood)
Reviewed by Harvey Karten
 

Sebastián Lelio's Gloria
Reviewed by Frank J. Avella

  Wes Anderson’s
The Grand Budapest Hotel
Reviewed by Frank J. Avella
 

Alfonso Cuaron’s Gravity
Reviewed by Frank J. Avella

 

Alfonso Cuaron’s Gravity
Reviewed by Harvey Karten

 


Robert May's Kids For Cash
Reviewed by Harvey Karten


 
Jason Reitman's Labor Day
Reviewed by Harvey Karten

 
Roger Michell's Le-Weekend
Reviewed by Harvey Karten
 

Steven Knight's Locke
Reviewed by Harvey Karten

 
Valeria Golino’s Miele (Honey)
Reviewed by Frank J. Avella

 


George Clooney and Grant Heslov's
The Monuments Men
Reviewed by Harvey Karten


  Lars von Trier'a
Nyphomaniac Volume I

Reviewed by Harvey Karten
 
David Frankel's One Chance
Reviewed by Harvey Karten

 
Jim Jarmusch’s
Only Lovers Left Alive

 
Fedor Boncarchuk's Stalingrad
Reviewed by Harvey Karten

  Roger Gual's
Tasting Menu (Menú degustació)
Reviewed by Harvey Karten
  Sylvia Caminer's
Tanzania: A Journey Within
Reviewed by Harvey Karten
 
Teller's Tim's Vermeer
Reviewed by Harvey Karten

  Gael García Bernal and Marc Silver's
Who Is Dayani Cristal?

Reviewed by Harvey Karten
 
Martin Scorsese's The Wolf of Wall Street
Reviewed by Harvey Karten


 
 
 
 
 
 
 
 
 
 

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