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The Museum of Arts and Design
LOOT 2015: MAD ABOUT JEWELRY
Gala Benefit
September 28, 2015

Press Release:
Jonathan Marder + Company

Opposite Photo:
Michele Cohen, Barbara Tober and Bryna Pomp


The Museum of Arts and Design (MAD) honored cultural patron, collector, and journalist Barbara Tober for her 35 years of commitment to the Museum, and Vacheron Constantin, the world’s oldest watch manufacturer, on Monday, September 28, 2015 at the LOOT 2015: MAD ABOUT JEWELRY gala benefit.  The evening began with a preview of 50 emerging and acclaimed artists’ jewelry at LOOT, the annual one-of-a-kind jewelry exhibition and sale and a cocktail party.  Guests enjoyed four hours of shopping with the designers, along with gourmet sushi, a variety of Baked by Melissa Cupcakes, wine was provided by l’Escargot Sauvignon Blanc and Tre Vini. Dinner followed at the Robert Restaurant, upstairs at MAD, overlooking Columbus Circle.  Guests dined on, a Goat Cheese and Papaya Salad, a main course of Beef Tenderloin Au Poivre, and a Chocolate Cake for dessert.

MAD’s Nanette L. Laitman Director, Glenn Adamson, wore a black and white Cor Sine Labe Doli ceramic bow tie and welcomed shoppers to LOOT 2015.  Honoree, Barbara Tober wore a Sylvie & Christophe Tissot necklace that she purchased at the event. Michele Cohen, LOOT’s Chairman, wore an amazing felt necklace from designer Gori-Montanelli.  Bryna Pomp, LOOT’s Curator, wore a beautiful set from Finnish designer Chao-Hsien Kuo.

The Honorary Dinner Committee Chairs were Iris Apfel, Corice Arman, Susan Gutfreund, Patricia Pastor, Deborah Roberts, Malini Shah, Liz Smith, and Isabel Toledo. 

Guests included: Susan Ach and Larry Ach and Sylvia Lavietes, Muna Rihani Al-Nasser, Edgar Batista, Thomas Bell, Beth Rudin DeWoody, Bonnie Comley, Joanne Brecker, Vincent Brun, Aileen Brunner, Marian and Rusty Burke, Giosetta Capriati, Michael Cestone, Michele and Marty Cohen, Michael and Nick Cohn, Talea de Freese, Barbara de Portago, Philippe Delouvrier, Jacqueline Weld Drake, Anita Durst, Michael Dweck, Patti Dweck, John Eason, Lisa Eatroff, Sarah L. Elson, Emily Cutler, Dorit Engel, Helen W. Drutt English, Susan Falk, Elizabeth Falk, Patricia Falkenberg, Fe and Alessandro Fendi, Patricia and John Forelle. Michelle Gerber Klein, Karyn Gershon, Amy Gold, Marjorie Reed Gordon, Boo Grace, Maria Eugenia Maury Haseltine, Lillian Heidenberg, Jana Jaffe, Howard and Judy Karasik, Karen Klopp, Stewart Lane, Marcia Levine, Nancy Jane Lowey, Betsy McCaughey, Gillian Miniter, Sadie Mitnick, Marsy Mittlemann, Satoru and Hiroko Murase, Maureen M. Nash, Pamela J. Newman, Nicole Dicocco, Allison Niles. Nana Onishi, Rafael Ortiz, Bryna and Martin Pomp, Judy and Peter Price, Deborah Roberts, Bette Saltzman, Edwina Sandys, Sara Sant'Ambrogio, Randi Schatz, Jean Shaffiroff, Dorothy Sprague, Valerie Steele, Clarice Oliveira Tavares, Pat K. Tigrett, Barbara and Donald Tober, Kay Unger, Adrienne Vittadini and Gianluigi Vittadini, and  Alessandra Zorgniotti

LOOT: MAD About Jewelry is the Museum of Arts and Design's annual six-day exhibition and sale featuring designs from emerging and acclaimed jewelry artists. Championing the vision and craftsmanship of international studio and art jewelers—many of whom have never before shown work in the US—LOOT often serves as a launch pad for the next generation of designers. Since its launch, LOOT has become a premier pop-up shop for contemporary art jewelry, offering the public a rare opportunity to meet and acquire pieces directly from some of the most skilled creators in the field. With over 50 designers on-site throughout the exhibition and sale, LOOT offers one of New York's most unique shopping experiences. Proceeds from the sale benefit the Museum's exhibition and education programs. LOOT: MAD About Jewelry is a striking example of the enduring vitality and evolving possibilities of jewelry as an art form.

The Museum of Arts and Design (MAD) champions contemporary makers across creative fields, presenting artists, designers, and artisans who apply the highest level of ingenuity and skill to their work. Since the Museum's founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum's curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving 21st-century innovation, fostering a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design.

 

 

 

 

 







 


 

 

 

 

 

 


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